Sunday, December 4, 2011

That Obscure Object of Desire

1. The title for the movie kind of foreshadows what the movie is about. Obscure is defined as not being clear or plain, ambiguous, vague, uncertain and in the movie it was unclear at times whether or not Conchita really was in love with Matthieu or if she was going to give it up to him or not or whether or not she was a virgin. She seemed to lead him on and when it came time to delivering she made up an excuse or a way to get around him. It was also unsure to me as to what the meaning behind the bombings were especially at the end of the movie. I didn't know if it was a factual event that was going on in that time period that brought about the bombings or if there was a meaning behind it. The "obscure object" to me is Conchita or more like the desire that lies between Conchita and Matthieu. It is clear on Matthieu that he wants Conchita but it is unclear about if she is really true to her feelings toward Matthieu especially when she tells him off after he buys her the house and makes love or pretends to make love to her lover. Then she turns around and returns to Matthieu to tell him that it wasn't real it was a test to see if he loved her or not. Conchita is back and forth saying that she will have him tonight but then denies him and says that he should be happy just having her in the house. Then she leaves when she is kicked out the house but then when they run into each other again she clings to him again and says they will never be apart again. 

2. I asked myself that question of why there were so many bombings and why the setting of story was around this terrorism. I wondered if Matthieu and his group of friends or the political group that he was a part of was being attack by these terrorist and in the end he reaches his demise with the bombing that occurs at the end which doesn't really show or tell you that Conchita and Matthieu die but you assume or guess that they could have. Maybe the bombings have to do with the explosive nature of Conchita or the relationship of her and Matthieu. 

3. The two actress play two different parts of Conchita, the two personalities that she has. One appears more reserved and more refined while the other looks more carefree and risque, she doesn't appear as innocent as the other. The second one played by Angelina Molina looked more Spanish and more like a dancer than the other played by Carole Bouquet who to me seemed more french. When playing the part of the dancer, Angelina Molina played all the parts of the dancer as well as the part were she tricked Matthieu and showed him that she detested him and that she had another lover. The story started off with Carole Bouquet but ended with Angelina Molina and so it seems that he had tamed the more wild side of Conchita. 

4. I found that there was meaning to the animals, saw them as symbols of how Matthieu was trying to capture Conchita and then it was Matthieu that kept getting caught in his own traps and Conchita escaping them. 

5. Well, Matthieu finds himself to be the victim of a terrible wrong though it was him who was trying to control a woman with lies who just lied better and knew how to play the game just as well as him. She kept bringing him back in time after time with promises. He complied with her wishes though, kept feeding her money and things and in the end she kept denying him and telling him to wait. There is the psychologist next to him analyzing the encounters between Conchita and Matthieu, there is a judge placing his own judgement on the matter and then there is a woman who is a mother, that tries to empathize with Matthieu. The flashbacks are a way to show the woman that Matthieu loves is really two women but he doesn't realize that, he is blind to it. 

6. I saw Celestina in Conchita, the way that she was a person you couldn't really trust, someone that you didn't know who she really was, she was really two different people in the whole movie. I also saw Malibea in  Conchita, I think that the two halves of Conchita seemed to be Malibea and Celestina. The Malibea part in Conchita, or the part that reminded me of Malibea was when Conchita was all about giving it up to Calisto and saying that she wanted and desired him and then she would pull back and say that she wasn't that kind of girl and that he sould be happy to have her with him. Matthieu reminded me of Calisto because of the way that he fell in love with Conchita like Calisto fell in love with Malibea. He would do anything to have her, even pay off her mother. The mother was like that of the Malibea, just leaving her virtuous daughter alone with a man. Her mother was use to a luxurous life, not having to work and if that meant leaving her daughter with Matthieu then she would. She never chatized him for what his intetions were toward her daughter. 

Monday, November 21, 2011

Celestina Day Five

Act 20: The death of Calisto and Malibea just reminded me of Romeo and Juliet. The two characters were similar in a way as Calisto fell in love with Malibea just by looking at her and when one died the other could not live on. I thought it though much to dramatic and over the top the suicide of Malibea. At least Romeo and Juliet tried to be together and died due to silly mistakes on both their parts. Calisto's death was an accident while Malibea deliberately goes out of her way to kill herself. Both Malibea and Juliet can't live without their Romeo's and they take their lives to join their lovers in the after life.
It kind of surprised me that Malibea took her life like that, I didn't think that she would let her emotions control her like and cause her to think that way. There was no way the Malibea's father could have saved her and it was typical of the author to make it so that her father had no way of stopping her. After a few lines you could see that she was going to die or do something irrational and it was marked as a tragedy.

Act 21: The parts don't say much until the end of the story but parents are rarely paid mind or listened to in real life or in fiction. The speech at the end of the play was to show how the parents were blind to what was going on with their child, just as Romeo and Juliet's parents realized the wrongs and hurt they brought upon themselves and their children over a silly feud. The mother I believed was mentioned so little was because she was given lines in the beginning but she was one to let her daughter do what ever she wanted as she left her with Celestina who caught Malibea in her trap. Malibea's father is so much more torn about what happened to his daughter, it looks like Malibea was daddy's little girl.
To the say the least, the reason I believe that the Malibea' parents showed up now was because it could be the  meaning that at times parents are to late to recognize what is going on with their child and the don't realize it it was too late. I also believe the reason why they were more shocked at the committing suicide than catching her with another man is because it seems like it is  more common place for women to take on lovers and her parents probably didn't think she would take her life so dramatically.

Thursday, November 17, 2011

Celestina Day Four

Act 12: I liked Celestina and so I thought it was just that Parmeno and Sempronio died after killing her. They killed her out of greed really, they had no real reason. They knew who they were dealing with when they asked for the assistance of Celestina and it's their own fault that she was more witty than they were. It was just her misfortune that she didn't consider the possible danger that she put herself in when she decided to trick the boys and thinking that they would not take revenge or try to take the money by force. I don't think you can really sympathize with Sempronio or what to as he is very cocky and thinks really only of what he is going to gain and is arrogant, thinking himself more intelligent and above others. Parmeno didn't really like Celestina, in a way he was Celestina but for me he didn't really evoke like or dislike for him as a character.

Act 13/14: Calisto was more concerned with people finding out the dealings he had with Celestina and what his plans were, what his intentions were with Malibea more than being sad about the fact that his servants both died or that Celestina died. His main concern was himself and that his plans didn't fall through. He grieves because he does not want to lose his chance with Malibea. I don't think that he's grieving or ever was, he was just trying to save his own skin.

Wednesday, November 16, 2011

Celestina Day 3

Chapter 7:
Celestina uses her age to try and flatter Areusa , as she talks about her beauty and youth as a great gift, something that she should share with others which is really her alluding to the fact that she is trying to set up Areusa with Parmeno, who she had promised her to. Celestina uses her age, that shows she has experience to trick and persuade Areusa to take Parmeno as a lover.
 Areusa asks for a remedy for an illness she has though does not know what it is and Celestina, who knows more because of her age and experience is able to manipulate and get Areusa to do her bidding. I think that her being as old as she is and having done a lot of things in her life and Areusa, who is still young and naive and doesn't know everything yet I would say that Celestina has more wisdom that Areusa does. The older you are with all the experience and mistakes you make the wiser you grow. With those who are younger they have yet to learn and grow and gain wisdom which is what leads them to do foolish things and fall into traps just like Areusa did.

Chapter 8:
The quote by Sempronio to me means that not everything that you assume to be just because something is not one thing doesn't mean it can't be another nor not all things that are what you would categorize show as should be placed there. In relation to the book Sempronio said this to try and calm Calisto down from trying to rush Celestina into getting him what he wanted. Calisto is a man who wants instant gratification. Sempronio thinks it wise to not rush Celestina and to let her do her work. He tells him that though he sounds wise it is only because Calisto is so blind by love that he thinks any advice is great advice.

Chapter 9:
No one can be trusted in this book, you sometimes can't even trust those who you think are trustworthy or are true to themselves. There is no trust without trickery to try and test how well that trust withstands. There is trust in others to trick others into doing thier will or what is to believed to be their will but under all circumstance everyone is tricking everyone even themselves. I don't think that Sempronio or Parmeno should trust Celestina as she is a sketchy person and as already seen she can manipulate people to do thier bidding. They trust her though because they see their master is an idiot and they expect to get a cut out of the profit that she makes so for therm it is a win win situation. They also think that they can outsmart her if she tried to pull anything funny so they seem to underestimate her and think that she is a push over.

Friday, November 11, 2011

Celestina Acts 3-4

Question 1: What this quote is trying to say is that those men who think they are in love or just want a girl want her right then and there. They find it tortuous to wait for something that they want. When it says that they want to put their thoughts into actions, if men could they would do whatever they thought and be instantly satisfied. When it comes to love and relationships I don't believe that it's just men, it's both men and women. Men do want a quick fix to things. When a problem arises they try to find the fastest way to fix it and they don't want to drag the problem out. Women are much more into wanting to take about things and think about every little thing. Men are more into wanting an instant satisfaction and women want to prolong and make it last.

Question 2: When it says that the rich sing a different tune, they do. They are much more happier and relaxed and not having to worry about much expect who is going to carry on with their fortune while the poor sing a tune of distress, on edge because they don't know when their next meal is going to be and what is going to become of them as their future is a constant worry.

Question 3: You want to think that Celestina is true to her word and that she is going to share in her wealth with her friends who gave her the idea and opportunity to do so but you can't really trust anyone as everyone is backstabbing and turning their backs on each other. So trust Celestina, I would say no. It is smart and respectful not to trust her and she in turn is wary and aware of the others. She is not going to be played. I do think though that she will share in her profit.

Tuesday, November 8, 2011

Celestina Acts 1-2

In the opening scene when Calisto comes across Melibea, he finds her in her garden. Well to connect her with the garden, a garden is a place of beauty with all the flowers and plants growing there. Women are associated with beauty, beauty is a feminine description of something, one doesn't say, "oh my this is a handsome garden!" I mean they can but it's not something commonly said. Women have been compared man a time to a flower which is found in a garden as women are as beautiful and delicate as a flower. Some flowers have thorns to protect themselves as we see with Melibea who is not won over by Calisto's words or lust. The connection to the garden can also be in seen in a biblical way and there is mention, in several parts of the texts to the bible and many know the story of Adam and Eve and how they got kicked out of the garden. Though it can be said that Calisto thinks of Melibea as Paradise, Eden in a a sense so it's not a bad thing when in reference to the bible. But the garden can be a symbol of women and how they are seen not only as things of beauty but later can bring trouble in the case of what happened to Adam and Eve with the serpent in the garden.

When Calisto begins to talk to Melibea, it sounds like he is complimenting her greatly, that God has favored him with such a sight that he is unworthy of. He confesses to her that he has great affection for her and that he wants her. She though won't have him, sees that he only wants her for her body. She really shuts him down and tells him to leave, she doesn't have patience for him and his wit that has gotten him no where. I don't think she took to kindly to him trespassing and trying to just get with her to sleep with her as she took it.

When he goes home and takes to Sempronio, he pours his heart out and acts like a love sick puppy and acts as if it is the end of the world that Melibea does not want him. Sempronio thinks that he is going mad and he does sound mad and a bit idiotic as he is going a bit far with his love for this women he only just met. He denys being a Chrisitian and says that he is a Melibean and he worships her, that Melibea is God. Sempronio takes advantage of this, finding this as an opportunity to get what ever he wants from his master who will do anything to get Melibea.

I found it interesting what Semperino said about women, I kind of agreed with the things that he said. He seemed to try and appease Calisto and say that any man could get any woman he wanted, that woman of higher rank were not out of reach as even they have slept with lowlier men and even animals and he made a reference to Pasiphae and the bull which was a myth where Posideon as a way of revenge on Minos made his wife Pasipae fall in love with a bull. Semprino has a lot to say about women and says that many a philosopher and clergy warn men against women, they are all of the same opinion when it comes to female. It is said that 'wine and women male men lose their religion", and so they though it is not about all women, those who are "holy and noble women whose resplendent virtues mitigate the general vituperation that otherwise would fall upon their sex." He describes at length about women after that and says to Calisto to "Consider how few are the brains that lie beneath those great and delicate veils!" He means by that there are very few females that actually are intelligent and "how few the thoughts that lie beneath those gorgets" (gorgets are a nun's headdress) He refers back to Eden to saying that a woman is the  "Weapon of the devil, origin of sin,and the destruction of Paradise" (refer back to having met Melibea in the garden) and he goes on to quote Saint John who said "This is woman,  the ancient malice who cast Father Adam from the delights of Paradise. She it was who sent humanity to hell." After Calisto's retort, who said that even those great men fell to women, Sempromio goes on to talk about how women act and i agree with some of what he says. He tells him to flee women who are decietful creatures and are hard to figure out. He says "it is no easy job to figure them out. They have no method, no order, no plan." Which is true as women are not strategists like men who like to have a plan and are practical, logical creatures. Then he goes on to say "They begin by pretending to be aloof when they really mean to offer themselves" which is true which would mean that women tend to put up a front to hide their true feelings for a man. They play that game though to entice men as they are viewed to be desperate and easy were they to be compliant and make themselves easy targets for men who only want to use them. He goes on to say that "they invite and send away, they beckon, they reject" and says that "they are prone to sudden wrath, and then they quite as unexpectedly calm down" which is all very true for the women in the story as well as in the present. And Calisto is curious as to how he knows all this and how it applies to him. Sempromio says that women taught him this and he tell him because he believe him to be a good man and he should not be falling victim to the whims of a woman. Calisto is not swayed, he continues to worship and adore Melibea and thinks that she is above all, she is special, an exception. Sempromio plays with this and just gives Calisto hope as he tells him that she is acting this way because she is hiding her flaws and her hate is actually love for Calisto. This just shows how much of a sucker Calisto is and Sempromio is going to play this to his advantage. It just looks like he played reverse psychology on Calisto, so instead of turning him off of women, he just fuels Calisto's desire.

Celestina is quite a character. She is a women who is witty and knows what she is and what she wants and how to get it. She is not ashamed of what she is as Parmeno pointed out in his little speech about her. She is not cross about being called a whore, she though she takes up the identity of a seamstress, to those who know her is open about what she does. First impression is that she will be an interesting character and she is witty and will probably be the one winning in the end. She is a matchmaker of sorts, helping those get what they want when is comes to love or men trying to get women that they want. She takes girls in and helps them out. Celestina is no fool either, she is on step ahead of every one when she first makes the plan to pretend as if they didn't know Calisto and Parmeno were coming down the stairs and then heard Parmeno's warning to Calisto and knew that Parmeno knew what she was trying to do. The talk between Parmeno and Celestina looked as if Parmeno was going to see right through her and would not fall for her plans, making it look as if Celestina had underestimated him but later we see that Celestina had the right idea after all as Parmeno does exactly what she wants. When she figures out who Parmeno is and who his mother was she uses that information to her advantage of him. She sees it as a leverage to appeal to his greedy nature, she knows him better than he knows himself.

Going to Parmeno's speech, Celestina was described as having "six trades: seamstress, perfumer, cosmetic maker, repairer of maidenheads, go-betweener, and a bit of a witch." She is a jack of all trades and she besides being a whore she took in girls and helped them out, made them over as if a make up artist. She trades her skills for anything of value. Parmeno says that she is not offended by being called an old whore. He says "She is as overjoyed to hear herself so called as you are when people call you a perfect gentleman." So she views it as a compliment and is not taken offense to it. He goes on to say "She holds the classification I have given her to be her name and title." In her community she is viewed as the old whore and he gets descriptive as in where ever she goes people, animals, objects, the air even says 'old whore", as if it is her chant, her call whenever any one need her. Parmeno even says that "if she is with a hundred women and someone says "old whore", she turns her head without hesitation and answers with a joyful countenance." so like batman has his own signal to call on him, so does she. He goes on to say that though she takes in girls she gives them away as well. She gave innocent girls away in reparation for something else of value. She was a business woman through and through. The interesting part and I don't know how she can do that, is she repairs maidenheads and she made a girl a virgin three times over. I don't know how she did that. She also made perfume and make up which she sold. A very resourceful women to know how to do many things and make a profit from it.

Thursday, October 27, 2011

The Decameron Day Six

9.2: It was ironic that the Abbess would scold the nun for taking a lover when she herself had one, who was a priest by the way, and not only did she basically rat herself out by mistakenly wearing pants on her head but she had the nerve to scold the nun without realizing she had it on and giving herself away. The other nuns didn't notice either as they were to blind by the fact that they just caught a fellow nun in an act of sin, they were committing a sin of their own being full of pride and feeling above her because she did wrong and got caught.
When the Abbess realizes that she got caught though she changes her persona and she lets the nun keep her lover as she is not going to revoke hers and the other nuns look upon the nun with envy that she got away and she still had a lover. The nuns then look to satisfy their needs in others ways, in the end it hints that they themselves go and start to live in sin a little. The way the Abbess changed her mind about criticizing the other nun made it seem like it was okay to live in sin as long as people outside didn't know.

9.3: Women seem to get the short end of the stick and men always find a way to invoke their power over them. Tessa is always blamed for the misfortune that befalls Calandrino. Women are seen as bad luck, like sailors thought at one point that having a woman on border would bring them bad luck and women have been the cause of arguments and fights between couples and other men. Women are also the ones that get beaten on by men when something goes wrong or they do wrong to the men. Men pick and beat on the women because women are seen as fragile creatures and are easy targets.

9.5: We do see a drastic change, a nice change with instead Tessa being the target of abuse Calandrino is. He is caught with another woman with the help of his friends trapping him in that predicament and incouraging him to have an affair. They then backstab him and get his wife to find out about him and his "lover" though they never really get to have sex. When Tessa finds them she immediately has no fear and is so full of angry, begins to beat on Caladrino and it was funny how she made the comment of how he would let another woman get him pregnant, though she should know that men can't get pregnant. It was good to see a woman taking charge and standing up for herself, and I believe that is what Boccaccio is trying to show that women have power too, men are dogs and they need to be punished as well. They need to be taught a lesson on the wrong that they have committed and women need to dole out the beatings too, not just take them (though they shouldn't be taking beatings at all). In reading about Calandrino and his foolishness, one simpathizes with the wife and feels that she had every right to beat Calandrino for a wrong that he committed as he beat her up for things she didn't do with I found that ironic the way the reasons behind the beatings were reverse as well.

9.6: I got confused as some points in the story as to where people were and who was sleeping with who and how one person made to another persons bed. I tried to visualize which bed would be where but I couldn't see it and I really had to go back and reread. It was a clever story and the way the characters were trying to outwit each other thinking that they other one didn't know. Like when Pinuccio saw that he was in the wrong bed but went along with whatever it was that was being said about him. I like how the host's wife was the one to manipulate and make it so that she was not found out that she had been with another man. She basically covered for herself, Pinuccio and Adriano and her daughter just by saying that Pinuccio had been sleeping walking, that this was all a dream, none of what was being said was real. This is like 7.5 where both the wives don't really lie but use what is being said by their husbands to form a sort of loop hole to get out of lying. Their husbands speak for them and they just agree with and use what they say to form an alibi.